Feeds:
Posts
Comments

Posts Tagged ‘Fisherton Sarum’

This months picture…

Drummond 0-4-4T M7 No. 243 is one of the 6 painted in Malachite Green after the war but is one of those that were unlined, she is a repainted Hornby model. She has just shunted the ash wagon for filling by the gang.

Drummond 0-4-4T M7 No. 243 is one of the 6 painted in Malachite Green after the war but is one of those that were unlined, she is a repainted Hornby model. She has just shunted the ash wagon for filling by the gang.

Read Full Post »

This months picture…

Gresley A4 class 60033 ‘Seagull’ heads to London on a locomotive exchanges route familiarisation working in May 1948. The Home signal that controls entry to Platform 1 or 3 at Salisbury Station is made from model Signal Engineering components.

Gresley A4 class 60033 ‘Seagull’ heads to London on a locomotive exchanges route familiarisation working in May 1948. The Home signal that controls entry to Platform 1 or 3 at Salisbury Station is made from model Signal Engineering components.

Read Full Post »

This coming weekend, 22nd & 23rd April,  sees the annual Epsom and Ewell MRC exhibition and one of only a couple appearances of Fisherton Sarum this year.  The Epsom and Ewell Model Railway Club is I think one oldest model railway clubs around having been established in 1952. The exhibition is being held at their usual venue of the North East Surrey College of Technology (NESCOT), Reigate Road, Ewell, Surrey KT17 3DS . It is always good to be exhibiting in the heart of the Southern Railway’s territory.

I have taken some time out from building my latest little train set Canute Road Quay (which itself is making its first ‘public’ debut the following weekend, more of which in a future post next week) to set Fisherton Sarum up at the clubrooms of the High Wycombe and District MRS, for which I am most grateful to repair a couple of things such as the turntable and ensure that everything else is working OK.

Although missing the show my Dad will be attending in spirit and in model form as he and fellow school mates are captured trying to bunk the shed as he did in his school short wearing days

I will be ably assisted during the weekend by some regular operators and friends, although unfortunately my father will miss the show as he is recovering from recent emergency heart surgery (for which offer my sincere thanks to all the amazing staff involved within the NHS). I am pleased that he is well on the mend but rightly still convalescing, so get well soon Dad!

All boxed up and ready for loading. The green boxes resting on the top of the layout are the two lighting rig boxes. The control is nestled between the ‘L’Girders of the baseframe under the layout’s ‘Target’ style nameboard.

As with most layouts being exhibited some method of protection for transportation  is required and this is not normally seen by the general public at shows. Although when set up the Fisherton Sarum is 20 foot  long it was designed from the outset in such away that  everything included the stock boxes  (converted stout DJ cases designed for carrying up to 120 CDs) containing over 80 locomotives and some 20 coaches along with numerous wagons, will all fit in a Mondeo estate car!

An overview of the scenic section of Fisherton Sarum

My two scenic boards, each 4′ x 3′ are bolted together by wooden end frames to form a box just small enough to fit through though the tailgate of the car.  The layouts legs are bolted to the inside of baseboards  ‘L’ girders and therefore fold up inside the baseboards out of the way.  The whole box arrangement sits on a set of wheels for easy transportation from the car into and around the exhibition venue. As I use cassettes in the fiddle yards these boards are flat topped ‘paste table’ style  and the legs fold up held in place by clips and then these slide alongside the scenic board ‘box’ in the rear of the car.  Other items such as the end backscene pieces, lighting rig support struts and the control panel (whose width was designed specifically to do so) tuck between the ‘L’ girders of the upturned scenic board.

I hope this little insight into the behind the scenes aspect of exhibiting a layout has been of interest, if you are dropping by the exhibition next weekend, please make sure you say hello!  Fisherton Sarum is stand 25 at the show.

Read Full Post »

This months picture…

A Maunsell N1 class, a modified Bachmann model hauls ballast train past the shed. The SR Diagram 1774 40T hoppers are modified LIMA wagons on new bogies and other details. Salisbury Cathedral can be seen in the background.

A Maunsell N1 class, a modified Bachmann model, hauls ballast train past the sheds coal stage. The SR Diagram 1774 40T hoppers are modified LIMA wagons on new bogies and other details. Salisbury Cathedral can be seen in the background.

Read Full Post »

I have spoken before in a view from the line post about my views on the need for a backscene on a layout. Even simple a plain blue or grey painted back board is better that nothing. A good backscene helps create impression of depth and finishes the overall illusion that we are trying to create with a layout. The style of presentation, on Canute Road Quay as I have utilised an excellent laser cut Tim Horn baseboard, the back and sides are an integral part of the overall baseboard module.

On Fisherton Sarum, as can be seen on many of the images on this blog, I am indebted to fellow High Wycombe and District MRS member Ron North who superbly hand painted my Salisbury based backscene. On Canute Road Quay, being a bit of an industrial dockside scene, I thought an grayish overcast sky would give a simple effect and not draw the eye too much from the layout itself. I therefore opted to use a photographic overcast grey sky from Photo ID backscene from Art Printers.

A view of the backscene looking towards to the RH corner

A view of the backscene looking towards to the RH corner. The engine shed in the rear corner is only half complete at the moment with no roof or inside wall in place.

I opted for their Premium range of Photo ID backscenes that are printed on tough Polypropylene that are stated as being waterproof,  scratch and tear resistant. They are self-adhesive, which is how I have affixed them to the primed plywood rear and sides of the layout;  but can be used without removing the backing film and applied using a non-aqueous glue if required. This has on the whole been a success, although the self adhesive backing was not quite a strong as perhaps I would have liked, but time will tell.

A vew of the backscene looking to the LH corner. the still to be completed ground cover is evident

A view of the backscene looking to the LH corner. the still to be completed ground cover is evident

On the rear right hand corner of the layout I have allowed for the backscene to curve slight rather than be an 90 degree corner to help trick the eye to not seeing a sharp corner but on the rear left hand corner due to the proximity of the high low relief warehouse building, and due to the length of the supplied Photo ID backscene I have simply left a 90 degree corner as it is less noticeable.

Although the Photo ID Sky backscene itself is just I was looking for above the mix of low relief buildings (mainly Bachman Scenecraft) , that are also positioned to form part of the backscene, it would not look right on its own in the gap between the buildings where the roadway supposedly heads off the scene.
This is due to the fact that in reality at such a location you would not simply see the sky finishing at the near horizon. I therefore initially wanted to fill the gap with a scene of a suitable warehouse style building in the near distance.
However, I was not able to find a suitable photograph of any warehouses that were taken in the right period, most images I was able find were of old warehouse as they appear now, either  to dilapidated, renovated, changed use such as apartments and or with modern items in the scene such as street furniture etc.

The orignal terranced houses Black and White image before manipulation in Photoshop

The original terraced houses Black and White image before manipulation in Photoshop

I did manage instead to locate an old black and white image of a row of terrace houses that I could manipulate within Adobe Photoshop to fill the gap and meet my needs, in fact since the addition of the low relief public house a row of terraced houses fit into the overall scene quite nicely.

The final image shaped and coloured before printing

The final image shaped and coloured before printing

The first step was to reshape slightly to both fill the gap and give the perspective I wanted; and secondly to re-colour the image including the brickwork, slates, chimney pots and windows but leaving the colours slightly muted as if being viewed from a distance.

The final image cut cutout in place on the layout next to the low relief public house

The final image cutout in place on the layout next to the low relief public house

The path and roadway have been matched as close as possible to be the same colours as applied to pathway and road on the layout itself. This was then printed onto art quality paper and carefully cut out before it will be finally affixed (as I have not yet permanently affixed it yet whilst I finish some of the scenic groundwork) to in the gap directly onto the sky backscene.

An overview of the Backscene on Canute Road Quay as it stands at the time of this post

An overview of the Backscene on Canute Road Quay as it stands at the time of this post. It still requires the ground cover to be completed

Details of the LED lighting I have used on Canute Road Quay will be the subject of a future post, as I am still experimenting with defusing the lighting slightly to enhance the overall slightly drab, overcast visual effect I ultimately want. The level of brightness at the moment is good for working under, in the photographs it should be noted the backscene appears slightly more bluish than in reality it is to eye, so watch this space for more progress.

Read Full Post »

This months picture…

A couple of school children watch waiting to see how the postman  deals with the pending conflict with the householders dog!

A couple of school children watch waiting to see how the postman deals with the pending conflict with the householders dog!

Read Full Post »

This months picture…

The powerful Urie 4-8-0T G16 class No 494 is captured on the coal stage ramp. She is a Golden Arrow resin body on a modified Hornby Chassis.

The powerful Urie 4-8-0T G16 class No 494 is captured on the coal stage ramp. She is a Golden Arrow resin body on a modified Hornby Chassis.

Read Full Post »

Older Posts »

%d bloggers like this: